{"id":2215,"date":"2016-06-06T18:03:22","date_gmt":"2016-06-06T16:03:22","guid":{"rendered":"http:\/\/doloresherrero.com\/testimonios"},"modified":"2026-04-16T14:24:20","modified_gmt":"2026-04-16T12:24:20","slug":"testimonios","status":"publish","type":"page","link":"https:\/\/doloresherrero.com\/en\/testimonios\/","title":{"rendered":"Testimonials"},"content":{"rendered":"\n

Testimonials<\/h1>\n<\/div><\/div>

Dolores Herrero<\/p>\n<\/div><\/div><\/div>

<\/div><\/div>
\"Santiago<\/div>

Santiago Manzarbeitia Valle<\/h2>

Staff Professor of the Department of History of Art I (Medieval) College of Geography and History of the Madrid Complutense University Director of the PhD Thesis of Dolores Herrero<\/p>

\u201cIn short, the gargoyle is our other self, the monster fed by medieval fantasy and that the stonemasons shaped creating an imagery of hybrid creatures with a strange nature and disquieting spirit. Lola Herrero has been on the rooftops of our cathedrals to record and classify the gargoyles, and she took them on and managed to interpret these versatile scours of medieval meanderings\u201d.<\/em><\/p>\n<\/div><\/div><\/div>

\"Matilde<\/div>

Matilde Azc\u00e1rate Lux\u00e1n<\/h2>

Staff Professor of History of Art Department of History of Art I (Medieval) College of Geography and History of the Madrid Complutense University<\/p>

\u201cThroughout her professional career, Lola Herrero has demonstrated a zeal and eagerness, and no challenges or circumstances could dampen the enthusiasm for her work. I had the honour of participating as a member of the assessment committee of her PhD thesis at the Madrid Complutense University, on the gargoyles of the Gothic cathedrals of Castilla y Le\u00f3n, where she evinced her rigour and clear commitment to all of her work and, most particularly, the extensive photography archive presented in an exemplary way.\u201d<\/em><\/p>\n<\/div><\/div><\/div>

\"Sira<\/div>

Sira Gadea<\/h2>

Art Historian and writer of blog Viajar con el Arte<\/p>

\u201cLola is an analytical art historian, with work capacity, initiative and who is very able to work in a team given her high levels of empathy, and these are qualities, together with her special sensitivity, that allow her to pursue historical-artistic research, always exceeding all of the targets she sets herself. Moreover, her enthusiasm for her profession makes it easy for her to convey her love and respect for historical-artistic heritage, as she is aware that the more people know about it, the more it will be appreciated\u201d.<\/em><\/p>\n<\/div><\/div><\/div>

\"Ana<\/div>

Ana Santamar\u00eda<\/h2>

PhD in History of Art and Diploma in Conservation and Restoration of Cultural Assets<\/p>

\u201cLola and I completed a large part of the History of Art degree together. I have always admired, on the one hand, her ease for synthesis when setting out the main research lines to pursue when she seeks to study a topic and, on the other, her ease for the subsequent analytical development of the theme. Not forgetting, of course, the passion and hard work that she puts into anything she undertakes to do. This combination of skills is rounded off with easy and enjoyable writing that conveys the enthusiasm she feels for her work to all readers\u201d.<\/em><\/p>\n<\/div><\/div><\/div>

\"Alicia<\/div>

Alicia Rod\u00e9s<\/h2>

Art Historian<\/p>

\u201cThe gargoyles of Lola Herrero are to architecture what Erwin Panofsky is to image. Her work is essential to understand our art\u201d.<\/em><\/p>\n<\/div><\/div><\/div>

\"Cristina<\/div>

Cristina Cerezales<\/h2>

Writer<\/p>

\u201cLola Herrero has brought us closer to these mysterious gargoyles that inhabit cathedrals, sometimes peeping out of places beyond the gaze of ordinary visitors. This work is so rigorous and thorough that it is solely possible to do it the way she has: driven on by passion. The result of these years of work is of inestimable value, both for iconography scholars and for anyone who is interested in these figures that always glimpse at us in a strange way and whose mystery we could not understand without assistance\u201d.<\/em><\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"tags":[],"class_list":["post-2215","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/doloresherrero.com\/en\/wp-json\/wp\/v2\/pages\/2215","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/doloresherrero.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/doloresherrero.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/doloresherrero.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/doloresherrero.com\/en\/wp-json\/wp\/v2\/comments?post=2215"}],"version-history":[{"count":1,"href":"https:\/\/doloresherrero.com\/en\/wp-json\/wp\/v2\/pages\/2215\/revisions"}],"predecessor-version":[{"id":20884,"href":"https:\/\/doloresherrero.com\/en\/wp-json\/wp\/v2\/pages\/2215\/revisions\/20884"}],"wp:attachment":[{"href":"https:\/\/doloresherrero.com\/en\/wp-json\/wp\/v2\/media?parent=2215"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/doloresherrero.com\/en\/wp-json\/wp\/v2\/tags?post=2215"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}