<\/p>\n
There are many characteristics, traits, and common elements that appear in most gargoyles<\/strong>, especially in monsters<\/strong><\/a>, demons<\/strong><\/a>, and fantastic animals.<\/p>\n Today we are going to look at another unique and important feature that\u2019s probably the most decorative element in gargoyle figures and appears in all the main types of gargoyle. <\/span><\/p>\n We are referring to wings<\/strong>, surely the most beautiful feature of birds and a component of many fantastical creatures: art, history<\/strong><\/a> and mythology alike all contain examples of the beauty and significance of wings.<\/span><\/p>\n Wings enable birds to fly. Birds also use their wings to shelter their chicks, which is why wings symbolise protection. Since wings confer the ability to fly, something that humans have dreamt of doing since time immemorial, this surely explains our fascination with them. To fly is a beautiful verb that we also employ in other senses, all of them powerful and meaningful: we say that we\u2019re flying when we walk quickly, time flies, and so on.<\/span><\/p>\n In his research, Mari\u00f1o Ferro has explored the symbolism of wings<\/strong> since Antiquity. They appear in the work of authors such as Aelianus (2nd-3rd centuries) and Achilles Tatius (2nd century). Wings carry Hermes, messenger of the gods; Fame, goddess and messenger of Jupiter; the superb Pegasus; the devil; and science; the Roman triumph has bequeathed us the image of the angel, messenger of God; and Death also swoops down on wings.<\/span><\/p>\n Wings adorn the Sphinx, the Chimera, Horus, the dragon, the basilisk and the siren. Charbonneau-Lassay noted that the Gauls attached unfolded wings to their helmets, and said that back in those remote times, “wings were one of the ideograms of Glory, Beauty, Sublimity and Exaltation, of the favour or expected or received help from Above, of aspirations to spiritual or philosophical heights”.<\/span><\/p>\n In its early centuries, Christian art appropriated the wings of the pagan characters Daedalus and Icarus and gave them to the angels and the righteous souls ascending to heaven. Wings symbolise the divine mission and image, which is why angels, archangels, seraphim and cherubim are all depicted with wings. Let\u2019s not forget that the symbols for the four evangelists \u2014a man for Saint Matthew, a lion for Saint Mark, a bull for Saint Luke and an eagle for Saint John\u2014 all have wings, too.<\/span><\/p>\n The wings of the damned and of the devil<\/strong> have formal and iconographic significance, especially in gargoyles. They\u2019re depicted as bat wings, the membranous wings that Christian art endows to Satan and sometimes to death. As an element associated with the devil \u2014although he can also appear without them\u2014 bat-like wings suggest the idea of a fallen angel. A devil with bat wings<\/strong><\/a> starts to appear around the 14th century, as described by Dante in his Inferno<\/em>.<\/span><\/p>\n Wings endow gargoyles with beauty, elegance, grandeur and meaning. They\u2019re one of the most prominent, attractive and intriguing features of these figures, possessing infinite shapes and designs: they can be decorated, leaf-shaped, large or small, with reliefs, coiled, fan-shaped,\u00a0and so on. Bird\u2019s wings, heavenly wings and demonic wings, these all adorn gargoyles.<\/span><\/p>\n <\/p>\n
\n<\/span><\/p>\nThe Gargoyles and their Wings<\/h2>\n\n\t\t